![]() The reason all of this feels more accessible is because this game seems to prioritize delivering its story over making you engage with its survival systems well. For me, the addition of more intentional storytelling makes This War of Mine: Stories a bit more approachable and palatable to folks that tend to stay away from survival games. Adam and Amelia have lost all of their other family in the conflict already, so This War of Mine: Stories has you play as Adam in his increasingly desperate attempts to find her in bombed out hospitals, schools, and more.Īs a result of the game's focus on a central narrative, The War of Mine: Stories has the feel of an adventure game with survival mechanics, rather than a procedurally-generated survival game where the systems make your story for you. ![]() The game's central conflict centers around the disappearance of Amelia, the sickly child of a man named Adam. It uses the same assets and real-time survival mechanics as the original game, but here they're re-tooled to tell a specific story about father and daughter's struggle while being caught in the crossfire of an international conflict. This War of Mine: Stories isn't so much a continuation of This War of Mine as it is a spin-off. This War of Mine: Stories fixes all of that, and makes for an experience that feels much more powerful and compelling, though quite a bit smaller in scale than its predecessor. Back when This War of Mine debuted on mobile in 2015, I was simultaneously impressed with its hard-hitting depiction of what being a casualty of war could be like and put off by the game's deep, abtruse, and directionless survival mechanics.
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